For Sale: 59 Facts Degritter Record Cleaner

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59 Facts Degritter Record Cleaner For Sale | Degritter Ultrasonic Record Cleaning Machine Price

• “For my own satisfaction, however, and confessing to be a perfectionist, I follow up the sonic cleaning by using my Loricraft record cleaning unit. It’s somewhat like an assembly line. Records are removed from the ultrasonic cleaner, dried, then transferred to the Loricraft, and the Elma ultrasonic cleaner is reloaded to clean the next batch.” - Source: Internet
• Back to the Degritter: it’s an ultrasonic cleaner specifically designed from the ground up to ultrasonically clean and dry records. That means that the Degritter’s not a repurposed/retrofitted OEM ultrasonic unit (to be fair, I don’t believe that the Audio Desk or the discontinued Klaudio cleaners are repurposed units, either). The attraction for me? First, the Degritter was somewhat more affordable than the Audio Desk and now discontinued Klaudio; second, based on my perusal of Degritter’s website, the machine seemed at least as convenient and user-friendly and maybe more convenient and user-friendly than other options. Certainly not cheap at $2,990 from MusicDirect but, being a lazy cuss, its automation and convenience were very attractive. - Source: Internet
• Then there’s the eyedropper provided that’s graduated in milliliters, so you know that when you’re told to put 1-2 ml. of the supplied Degritter fluid into the water reservoir, you’re not guessing. One of Degritter’s recent software updates generates a signal you when you’ve cleaned 50 records, so you know exactly when to clean the filter. Another software update installed an automatic maintenance program that cleans the valves after every 60 washing cycles. These and other thoughtful touches were sure appreciated by this user. - Source: Internet
• The water level is adjustable in three levels: low, medium, and high (what a surprise). How do you know which is right for the LP to be cleaned—and why should you care? Since the goal is clean the entire record down to the innermost grooves, Degritter has provided a strip that indicates the correct water level. You just hold the strip at the edge of the record and find the level that corresponds with the runout space after the innermost grooves. Low is the default level and I’ve found that it’s the correct setting for many of my LPs. For the rest, the medium setting does the job; I’ve yet to use the high setting. - Source: Internet
• Even if there were no audible improvements with USC, I would still be a strong advocate for its use, for one simple and fundamental reason: the resulting minimization of groove damage of the LP during play, which thus allows the record to be played the maximum amount of times without damage and sonic compromise. That reason alone, protecting our precious records*, makes USC well worth it. In fact, I no longer play an LP on my system unless it has been ultra sonically cleaned, knowing I would actually feel “guilty” if I did otherwise. I believe records, ultra sonically cleaned, and even those records still to be cleaned, are more valuable than ever before, because their “life expectancy” has now been increased. - Source: Internet
• I’ve been an enthusiastic user of the KLAudio KD-CLN-LP200 ultrasonic record cleaner for many years. Running an LP through the KLAudio resulted in lower surface noise, fewer ticks, a blacker background, and improved resolution of low-level detail. Alas, KLAudio has exited the ultrasonic LP cleaner business; however, there’s a worthy—and less expensive—replacement called the Degritter. - Source: Internet
• 1. I used a 10 liter container (“bath”), which is manufactured in China (picture below). It has the same liquid capacity of the model my associate used, but the dimensions of my model were slightly different. This difference allowed me to clean 11 records simultaneously, while my associate’s machine was “only” capable of cleaning 9 records at a time. Both machines had timers, temperature controls and, most importantly, power controls (see below). - Source: Internet
• Cleaning your records with a US machine is absolutely necessary if the goal is to hear every last detail of musical information buried in those precious grooves. There is NO downside. This represents a clear cut win- win proposition. " - Source: Internet
• Vinyl Stack Spin Kit for rotating up to 4 records at a time in the tank, variable speed, will work with any tank with the required minimum dimensions ($325 with the optional 4 LP spindles). Video demo: https://www.youtube.com/watch?v=9ukvU3I_AWI - Source: Internet
• The before images are of a brand new record that has been exposed to nicotine smoke, covered with fine grain graphite dust, and soaked in beer. Because of electrical conductivity the graphite particles are more clearly visible while beer is not that noticeable. In reality, of course, dried beer creates a sticky film on the surface that keeps all the dust firmly in place. - Source: Internet
• Degritter record cleaning machines come with an active filtering solution. Active means that it removes small particles and dirt from the water during the ultrasonic cleaning process. Dirt washed off the record is filtered out of the ultrasonic cleaning bath and it won’t end up back on the record. - Source: Internet
• Results? Okay, first things first: like every other record cleaner on the market, the Degritter won’t work miracles. I know the desire to resurrect schmutz-encrusted, scratched, and otherwise damaged discs to their original glory burns in the hearts of most vinyl lovers, myself included. Although the Degritter has a “heavy” cleaning cycle, it won’t magically restore the copy of “Are You Experienced” that you spilled the contents of your bong on (among other things) and used as a frisbee during your college days (my advice: buy a reissue). Nor will it fill in the information blotted out by deep gouges, scratches, pressing flaws, and other assorted material blemishes. Sorry. - Source: Internet
• 1. There is much less record static. In fact, there is basically no static charge that I can notice after the cleaning and air-drying. This is in stark contrast with the same records before the USC process, when my arm hair literally would stand on end when close to the records stacked on the Kuzma spindle. - Source: Internet
• The 1974 movie “All That Jazz” featured a hit song by Peter Allen “Everything Old is New Again.” The title perfectly describes the popularity of old vinyl records and why vinyl record enthusiasts depend on an ultrasonic record cleaner to restore their classic albums. These enthusiasts, as well as merchants selling both new and old vinyl, know that an ultrasonic record cleaner is an important contributor to restoring and maintaining sounds not duplicated on CDs. - Source: Internet
• Sadly, no. Ultra sonic record cleaning, particularly Method #1 (which we are using), could have been technologically accomplished decades ago. Of course, that means we’ve been using a compromised and incomplete record cleaning method for almost 40 years, but there’s nothing we can do about it now. The good news is that USC does exist now, with numerous options, and it can be economical. - Source: Internet
• Discussion here: http://www.diyaudio.com/forums/analogue-source/218276-my-version-ultrasonic-record-cleaner-13.html#post3215289 - Source: Internet
• Until 2016, neither I nor any of my associates have had any direct experience with Ultra Sonic Record Cleaning (US). In contrast, we have had decades of experience using “traditional” record cleaning machines, which first apply cleaning fluids to the vinyl and then vacuum dry the record, all at once or groove by groove. This has now changed. First my associates, and then I, used the Ultra Sonic method and we can now report the results. - Source: Internet
• 2. Cleaning one record at a time, using a custom machine dedicated just for that purpose (which are usually expensive because of the poor economy of scale). The most famous models are Audio Desk and KLAUDiO. - Source: Internet
• – diyAudio – My version of an Ultrasonic Record Cleaner – Started by bbfxt who is a tremendously creative and talented tinkerer. Largely focuses on diy solutions for adding multiple record rotation capability to a commercially purchased ultrasonic tank, not how to build the ultrasonic tank itself. Lots of good examples and contributions from many contributors, but principally from bbftx. - Source: Internet
• 2. The settings I used with my ultra sonic machine were basically the same as my associate. I used the same temperature (33 C), around the same power (80%, based on video evidence of his machine in operation), but the cleaning time was a little longer (15 to 20 minutes) because I had (22%) more records to clean. - Source: Internet
• The Kuzma’s specific function in the cleaning process is now clearly evident. The On/Off switch for the Kuzma is in the back. The records rotate at the speed of around 1 RPM. - Source: Internet
• The requirements of the US machine are that its tub capacity be a minimum of 9 liters and that it has an integral power limiter. The former is necessary so that LPs will fit comfortably in the tub for proper cleaning, while the latter permits the reduction of the ultimate power operating parameters to a maximum of 60%. Full power operation will cause permanent damage to the vinyl with the attendant sonic degradation. The complaints coming from some quarters about high end roll off after an ultra sonic cleaning are due to full power output during the cleaning process. Furthermore, the records should not be in the cleaning tub for longer than 15 minutes. - Source: Internet
• Use a detergent/surfactant meant for the purpose. This means one of the Tergitol variants as recommended by the Library of Congress in its record cleaning preservation formula and by the Canadian Conservation Institute. So, this is: Tergitol S-15-7 (LOC); or a combination of Tergitol S-15-3 and S-15-9 in a 50/50 proportion (CCI); or Triton X-100 (another Tergitol variant). - Source: Internet
• This brings us to the present and our experiences with ultra sonic record cleaning, which is a totally different method than the now standard wet/dry cleaning machines. My associate’s experiences are already posted above and mine are below. It is also important to note that I deliberately ignored the details of my associate’s experiences, so as to avoid any bias. - Source: Internet
• USC should be thought of as the final step necessary to remove the last remaining (usually invisible) foreign materials from the record. On a personal note, while I sold my Clearaudio, I will eventually purchase another standard RCM. I still purchase the odd used record and their condition is always “a crap shoot” (a standard RCM can also quicken the drying time). There may be some audiophiles with entire record collections, either already cleaned with a standard RCM, and/or new and unplayed, who can get away with only an USC, but for everyone else I advise having both a standard RCM and an USC. - Source: Internet
• I’ve got quite a large LP collection that I endeavor to keep as unsullied as possible. Goodness knows it’s not because I’m a mysophobe; one glance around my listening room is enough to dispel any notion that I’m Mr. Clean. But it’s a universally accepted fact that if you want to hear everything on your records and not be sidetracked by annoying snaps, crackles, and pops that can overwhelm the content—or at least minimize those annoyances—you must spin clean records. That’s where the Degritter Ultrasonic record cleaning machine (website) comes in. - Source: Internet
• You want convenient? Here’s the Degritter process: take one LP and place it in the slot on top of the machine, press the right-hand button, after the “Welcome” screen appears, turn the right-hand knob to the cleaning cycle you want (quick, medium, or heavy), push said knob. Within a few minutes (approximately 5-10 minutes, depending on the cleaning cycle), your record will be ultrasonically cleaned and fan dried. Repeat for the next record. - Source: Internet
• First, a little background. How does ultrasonic cleaning work? Unlike other LP cleaning processes, ultrasonic cleaning uses cavitation bubbles induced by high-frequency sound waves to agitate a liquid. It’s a safe and effective method for cleaning intricate/delicate small parts, jewelry, etc. And ultrasonic cleaners have been around for decades. According to Wikipedia, the first commercial ultrasonic cleaning equipment appeared in the 1950s and eventually came into more general use in the form of relatively inexpensive home appliances by about 1970. - Source: Internet
• It is also important to note that all the records I am basing my reporting on, using USC, were already previously cleaned using a VPI, Nitty Gritty or Clearaudio RCM. In fact, most of these records had been cleaned twice. The Clearaudio was always the second machine because of the improved results I reported on, which were mainly due to using superior cleaning fluids. In short, these “experimental/reference” records were already as clean as I was able to get them using SC. And, finally, this is what I consistently observed… - Source: Internet
• Surprisingly, it’s only relatively recently that ultrasonic cleaners emerged as a cleaning option in the vinyl disc domain. I say “surprisingly” because the tiny grooves and nooks and crannies of records are ideally suited medium for the ultrasonic scrubbing bubbles. Vinyl’s resurgence has inspired some creative folks to examine how the ultrasonic cleaning process could be harnessed to maximize the sanitization of our beloved discs. - Source: Internet
• The active filtering solution works by circulating water through the filter and then back into the bath while your record is being cleaned. Water is pulled into the filter from the top of the tank in order to remove all floating dust and particles. Heavy particles that settle at the bottom will be pumped out to the external water tank, which has a dedicated sediment section. - Source: Internet
• Like many “first experiences” in life, I still vividly remember the first record cleaning machine (RCM) I purchased and used. It was back in 1981, just a few months before I opened my audio store in Toronto, that I purchased the Keith Monks (KM) record cleaner. I had seen the KM being demonstrated at audio shows and just had to have one for myself, despite its very high cost, especially for that time. The entire concept of wet/vacuum record cleaning was more than just appealing to me, I felt it was also an audiophile requirement. - Source: Internet
• Degritter uses a custom ultrasonic bath with a custom 300W ultrasonic amplifier that has been designed specifically for cleaning vinyl records. The cleaning bath has four ultrasonic transducers (emitters), two on both sides covering the whole record. Degritter also comes with Frequency Sweep feature, which provides better cavitation energy and power distribution. Degritter is the only cleaning solution on the market working at 120kHz and having the Frequency Sweep feature. - Source: Internet
• It is important to make certain that no record is touching the side of the bath, which will stop its rotation, while still maximizing the depth of the LP that is in the bath. The space between the two outside LPs and the parallel bath wall is around 1.5". The current spacing between records is .5", while some prefer a 1" spacing (link below). - Source: Internet
• Distilled water, push “Degas” then add 2ml of cleaner to the tank. Two buttons to push and rotate to select the desired cleaning intensity time and other fine tuning issues via a neat display. It even tells you how many records you’ve cleaned and when to change the filter. - Source: Internet
• “I also admit I am somewhat of a fanatic when it comes to maintaining the collection,” he says, “but it is amazing to hear the improved sound after thoroughly cleaning vinyl records. The sound of newly purchased records is also improved greatly by cleaning due to removing the mold release chemicals from the disc.” - Source: Internet
• And what about the expense? I’d be less than honest if I didn’t say that I know that relieving myself of almost three thousand simoleons on a record cleaning machine may seem more than extravagant during these uncertain times. My only defense is that I had to sell a piece of equipment to finance the purchase. I must add that, at the time I ordered the Degritter (mid-February 2020), it appeared I was sufficiently well-off to treat myself—and my record collection. So much for appearances. Nevertheless, it’s a purchase I don’t regret and a great investment in my ever-growing record collection—and a time/labor-saving investment at that. - Source: Internet
• A relatively recent variation is the attractively priced Kirmuss cleaner, which has gotten excellent reviews from the doyen of the Analog Planet, Michael Fremer, and The Absolute Sound’s Andre Jennings. It’s capable of cleaning multiple 12” records (dependent on the version) and there’s even a slot for a 7” or 10” disc. However, I found the cleaning process (it doesn’t dry) as described—and as seen on video—ridiculously labyrinthine and time-consuming, especially since a good part of the Kirmuss cleaning process doesn’t involve the machine at all; it consists of manually wrangling the disc armed with various brushes, sprays, and microfiber cloths. Assuredly not for me at any price, given that my goal is to spend what time I have left on this earth enjoying listening to my LPs rather than cleaning them. - Source: Internet
• Is the Degritter perfect, then? What is? If you’re cleaning records on an industrial scale, the Degritter cleans a single record, so it probably won’t fill the bill. Also, it’s certainly not quiet in normal mode. Although Degritter’s user interface thoughtfully provides an adjustment for fan speed—and hence noise level—lower fan speed means longer drying time. Then there’s the fact that cleaning 10” or 7” records requires a separate $80 adapter for each disc size. - Source: Internet
• 4. The records were air dried after removing them from the “bath” and shaking off any excess fluid. It takes around 30 minutes to an hour to dry them, depending on the temperature and humidity of the room. I usually gently brushed the records to remove any remaining loose dust particles and then placed the records back in their original sleeves. It’s very easy to create a simple routine to make certain that the records go back into their original sleeves. - Source: Internet
• A November 2020 article in Finance 101 lists 40 vinyl records worth a fortune today, noting “Brought back from the verge of extinction, vinyl record sales are booming due to a renewed interest among younger generations. As a general rule, the rarer the record, more valuable it is — you may have some treasure buried in your garage.” - Source: Internet
• Hi-Fi mags in the 1960s and 1970s were full of letters from people complaining about lousy LP pressings. There was a dip in LP pressing quality in the early ‘70s after oil prices spiked. The records themselves got thinner, and pressing plants even used recycled vinyl. A good cleaning can transform these LPs. - Source: Internet
• The after images are of the same record once it has been through a 5-minute cleaning cycle with Degritter. No detergents or solutions were used, just pure distilled water at room temperature. It is evident that already one cleaning cycle has effectively cleaned the vinyl. - Source: Internet
• But the keyword in all this is ‘old’; the argument comes from when most record sales were of new LPs. Moreover, even if you’re meticulous in the handling and storing LPs and always treating new vinyl with the utmost care and respect, wet cleaning is still beneficial. It can reduce surface noise, improve sound quality, and extend your pick-up’s peak working life. - Source: Internet
• Why only four records at a time? Why not eight or more? It depends on the size of your ultrasonic tank. With a 10L tank, records can be spaced an optimal 1" apart and not overload the capacity of the tank. Some are trying to fit records more tightly than 1" apart, but my research suggests strongly that they are overloading the cleaning capacity of their ultrasonic tank. If you want to do eight records at a time, get a 15L tank. If three or fewer records at a time works for you, you can get by with a 6L tank. - Source: Internet
• The water tank is removable, which makes emptying and refilling it easier than carrying the entire machine to a sink (a la KLaudio and Audio Desk). I also liked that the water is constantly filtered to keep the dirt that has been removed from a record from contaminating the next LP. The open-cell foam filter can easily be removed and cleaned. There’s quite a bit of software in the machine; in addition to offering control over every conceivable cleaning parameter, the Degritter monitors the water temperature, water level, sensor malfunction, and other operating conditions. The software can be updated via an SD card. - Source: Internet
• 2. It is rare now to see “dirt” on the stylus after playing an LP which has been ultra sonically cleaned. Before USC, there was usually visible debris on the stylus after play, even with new records and/or those records cleaned using the standard method. (I still clean the stylus after each play though, just to make certain, or maybe it’s force of habit.) - Source: Internet
• My only very minuscule nit concerns the filter plug. The plug screws in flush to the side of the machine and has a slot head into which you’re instructed to fit a coin. Although a quarter does the job, I believe that a simple knurled knob would be far more practical and ergonomic. Of course, a knob on the side would wreak a tiny bit of havoc with the Degritter’s streamlined aesthetics, but we’re talking about a record cleaner, for goodness sake, not an objet d’art. Definitely not a design flaw, just an improvement I think would be worthwhile. - Source: Internet
• " The topic of properly cleaning vinyl has been discussed for decades with a consensus adopted that dictates that all LPs should be subjected to a high quality vacuum machine with a variety of recommended fluids. Many have claimed that washing a record in this manner will not only substantially improve the sonic performance, but will preserve the vinyl and eliminate or substantially reduce noise and static of the vinyl. There are a plethora of such machines in existence at various price points, but all essentially accomplish the same goal, albeit with varying levels of convenience and ease of use. - Source: Internet
• Over the past several months I’ve invested a fair amount of time exploring ultrasonic cleaning because I’ve fallen way too far behind in my record cleaning. With over 6000 LPs, I needed a faster way to clean than my trusted multi-step manual wet/vac cleaning process. That manual process got the best results I’ve ever found, but I was not keeping up with my collection and it is just painful to me to play a record that I’ve not cleaned. - Source: Internet
• The Bottom Line is simple: All serious audiophiles should use ultra sonics to clean their entire record collection, which for me, and my associates, has become a required project. I understand that some of the USC machines are unaffordable for most audiophiles (including me), but there are economical alternatives (see links below), and USC machines can always be purchased by a group if need be. As for myself, I not only plan to clean my entire collection, as I stated above, I will also experiment with different procedures and methods and report back on the results. - Source: Internet
• Regarding Degritter’s specific cleaning technique, I’m just going say that the machine uses distilled water that’s agitated by a 120kHz cleaning frequency generated by four vertically oriented ultrasonic transducers driven by a custom 300-watt amplifier. I’ve read the various debates/claims as to which ultrasonic frequency is optimal for cleaning LPs. And I’m not going to join the fray, given that I don’t have any experience with other ultrasonic cleaners or cleaning frequencies to even participate in a semi-intelligent discussion on this topic. According to Degritter, 120kHz creates smaller and, therefore, more effective cleaning bubbles than the usually employed 35kHz-40kHz frequencies. Sounds reasonable to me. - Source: Internet
• This contrasts sharply with hand washing the records using a sponge or soft brush in a sink with a dishwashing liquid. Chances are results will be entirely unsatisfactory because of remaining dirt and incomplete rinsing. There’s also the danger that this process will damage the label. - Source: Internet
• In the long run, I ended up with a Clearaudio (Double Smart Matrix) that was well built, worked very well and even cleaned both sides at once, saving precious time. Still, based on my decades of experience (along with my associates), I don’t believe there is a significant difference between any of these machines in actual cleaning abilities, regardless of cost, even admitting there are separations of noise, build quality, ease of use and one or two-sided cleaning. However, I did discover the one critically important factor when cleaning records with all of these wet/dry machines, regardless of their design and price: the Cleaning Fluids . In short, I strongly believe the record cleaning fluids are more significant to the final results than the actual machines themselves. I ended up using Audio Intelligent cleaning fluids (see link below), though others may do just as well. - Source: Internet
• What does this ultra sonic cleaning process actually accomplish that conventional vacuum based machines do not? A revelatory experience, that’s what. To begin, we compared US cleaned records to the VPI 16.5 RCM ; two identical recordings, same pressing, same condition ( Villancicos - HM 1025* ) were the test subjects. - Source: Internet
• No, but! Ultra sonic cleaners, using Method #1, are not good for really dirty records (those with smudges, fingerprints, oils etc.). Only standard RCMs, utilizing quality cleaning fluids and brushes, can clean records with foreign materials that are actually sticking to the surface. However, the ultra sonic cleaners, using Method #2, combine both cleaning methods, which is why they have an advantage and also cost more, and they DO obsolete standard cleaning machines. - Source: Internet
• There’s an old argument about not cleaning records. This states that it’s less damaging to play at most use a record brush, and the only cleaning required is to remove crud build-up at the stylus. In fairness, wet cleaning LPs can be a messy and involved process. It’s potentially harmful too; ham-fisted wet cleaning can leave LP surfaces sounding noisy. - Source: Internet
• After I’d cleaned a couple of dozen records, I compared the software version on my unit to the latest version listed on the Degritter website and found that it had been updated. Updates require downloading to an empty SD FAT32 card and then inserting the card into the Degritter. My first task was, of course, to find out what the heck constituted an SD card (FAT or otherwise), since I had absolutely no clue. Once I’d glommed on to that information, I had to determine whether my desktop computer had an SD slot. An internet search told me that such a slot is usually located somewhere on the front of a desktop computer. - Source: Internet
• After cleaning 50 LPs, Degritter tells you the foam filter needs cleaning. It’s straightforward to do, and – unlike some rival ultrasonic cleaners – there are no expensive pads or brushes that need regular replacement. If you stick to distilled water, Degritter is exceptionally cheap to run. - Source: Internet

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